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1939 ADDISON STREET . BERKELEY, CA 94704

510-843-3699 . MONDAY- FRIDAYS 10AM - 5:30PM . SAT.10AM - 2PM

IN BERKELEY'S DOWNTOWN ARTS DISTRICT - BART ACCESSIBLE - 1 Block from BART!

email: maketv@aol.com

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EBMC has been serving the East Bay and Bay Area communities for 31 years by providing media services and media training by its Emmy and Peabody Award winning producers.

EBMC is the home of one of northern California's largest independent video and film festivals, the BERKELEY VIDEO & FILM FESTIVAL.

EBMC is dedicated to providing affordable access to technolgies that enhance and empower independent producers and the community.

EBMC serves the Non Profit East Bay Community, UC Berkeley, Universities, Schools, Municipalties, Independent Producers, Students, Non Profit Organizations, Charities, Religious Organizations and other 501(c)3 Non Profits.

MAKE YOUR DONATION TODAY IN SUPPORT OF EBMC

DONATE SECURELY WITH PAYPAL - CLICK THE DONATE BUTTON, YOU WILL BE DIRECTED TO OUR PAYPALSITE.

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Dear Friend of East Bay Media Center,  
                                      
Over the past 31 years, we have relied on your support through the services we provide.

We now must ask that you support EBMC through a donation to continue our programs,
with our EBMC 31 Year Campaign.

Funds raised will be directed to the sustainability and continuation of our training programs:
Digital Asphalt-Electronic Journalism, Summer Teen Media Camps, Documentary and Screen Writing workshops, and Editing-Production workshops.

In addition, EBMC is currently under development in it's Downtown Berkeley Arts District
screening room in EBMC's facility at 1939 Addison Street, for the purpose of screening
new works, selections from the Berkeley Video and Film Festival, and to provide a screening room, performance space to other groups, independent filmmakers, artists, and producers.

EBMC needs your continued support for it's sustainability.

You can assist now by becoming a Sustaining Member or Lifetime Member of EBMC.

Sustaining Memberships are ongoing for a five year period and allow access to the facility,
free screenings at Berkeley Video and Film Festival events, screenings at EBMC,
substantially reduced rates for all EBMC services and project consultation. 

Lifetime Memberships allow access to the facility,
free screenings at Berkeley Video and Film Festival events, screenings at EBMC,
substantially reduced rates for all EBMC services, project consultation and Lifetime Donor Plaque at EBMC. 

Your donations are tax deductible, EBMC is a 501(c) 3 Non Profit Corporation in the State of California.
General Member . $30.
Corporate Member . $100. 
Sustaining Member . $500.
Lifetime Member . $1,000.

Please link to our donation site:
http://ebmc30.bbnow.org/

or send check donations to:
EAST BAY MEDIA CENTER
1939 Addison Street
Berkeley, CA 94704 or call: (510) 843-3699

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Jovelyn Richards returns to the stage with her new piece, Strippin’ Down To Story. In the midst of the movement to uplift the Negro race in the year 1931,

how does a newly married medical school graduate end up as a strip tease artist at the most prestigious private club in Boston?

This solo performance is a portrait of a woman who crosses time and space to tell the stories of women whose lives ended abruptly.

Strippin’ Down to Story uses the art of erotic gesture to reveal the secrets of living and dying.

The East Bay Media Center provides an intimate, thirty seat venue for the premiere of this evocative performance.

This play is written and performed by Ms. Richards, accompanied by her orchestra. Strippin’ Down To Storyis part of her Nappy Headed Love Stories series.

Stephanie Anne Johnson is the scenographer and designer for this piece. She and Ms. Richards previously collaborated on Come Home and most recently, Mrs. Pat’s House which was presented at La Pena last August.

Previous reviews from Come Home:
“The actress sings with her body and voice – the chorus, three women: pianist, percussionist and violinist – are ground that catches the beautiful actress.”  
Wanda Sabir – S.F. Bay View, February 2008

“Richards is able to use her body like an instrument with perfect rhythm, gestures and almost dance-like movements.” Flora Lynn Isaacson – La Peña News - February 2010

ABOUT MS. RICHARDS:
Writer and solo performance artist Jovelyn Richards, MFA, is a stand-up comedian, professional storyteller, and guest lecturer.

She’s a co-producer for KPFA  94.1  where she hosts Cover To Cover Open Book, a monthly look at arts and culture in the Bay Area.

Ms. Richards is a visiting performance instructor at the California Institute of Integral Studies, Napa College, and the Institute of Transpersonal Psychology.

Her one-woman show Come Home premiered in 2008 at The Marsh, San Francisco. During her 2010-2011 residency in Budapest, she performed at Merlin's International Theater & Jazz Club,

Central Eastern University in collaboration with Hungarian artists and musicians.
Ms. Richards is co-author of the novel The Onion that won the Digest Merit Award; author of Raising Autumn Colored Babies;

Beyond Vanity; and various other published works. Her written and stage performances include, The Diaries of Aunt Jemima; Harlem Nights;

Flowers Cut in a Vase and Dying; and Pussy Will Sell a Lot Longer than Cotton Any Day. She received the Playwright Center of Minnesota’s Many Voices Award in 1993 and 1997,

and the Intermediate Arts Artists of Color Award in 1995 and 1998. She was awarded funding from the Zellerbach Famliy Foundation for Come Home which ran for 5 weeks at The Marsh in 2008.

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THANK YOU FILMMAKERS - THANK YOU BERKELEY FOR A FANTASTIC 2011 BVFF!

Link to BVFF by clicking on above graphic and program schedule.

http://www.berkeleyvideofilmfest.org/BVFF2011Selections.html

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CLICK ON GRAPHIC FOR WORKSHOP INFO

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Thank you David A. Moss!

 

David A. Moss in 'Cracked Clown' at East Bay Media Center

Review by Ken Bullock - Berkeley Daily Planet - November 18, 2011


"I'm so glad you came to see me ..."

Turning on the ebullient charm of the seasoned performer, David Moss smiles broadly at the spill-over crowd in the East Bay Media Center, seemingly welcoming them, more than a little unctuous ... 

But quickly it's apparent that only the face is Moss'; the figure standing before us is the personification of crack cocaine, the greeting to Moss himself, alone except for his obsession and its specter in a motel room ...

Playing it half as a joke, half in deadly--vicious--earnest, the figure of crack rubs it in to his victim that he knows "you love me" and what that exacts: "See that smoke? That's your soul."

Then paranoia in a motel room: "Hide me in the Bible!"

And all the ghosts, the demons of a life leading up to the moment of attempted escape flash before Moss' eyes--and ours.

Retrieving memories--some very funny; others sad, even pathetic--Moss succeeds in that great histrionic search--he makes time stop, onstage and off. Mixed in with observations, declarations, running gags and repetitions of gestures, behavior, he parses out a life that questions itself, having run aground. The mood swings become part of the stagecraft--'way up, and 'way, 'way down ... The dynamics of 'Cracked Clown' can be vertiginous. Moss isn't just the clown, he's an aerialist, a contortionist, the whole circus.

Acting out a plethora of characterizations, from caricatures to well-rounded portraits, Moss morphs from himself and his tormentor to his  younger self, to that kid's GI Joe action doll ("a POW" when confiscated at school), his "nine-foot tall German teacher with purple lips" ("Ever see anybody who has purple lips who ain't dead?"); his alcoholic--and increasingly sympathetic--black father, condemned to drink "not because he married my [white] mother, but because he had a country name ... he had to wake up every morning and say, 'Goddam! My name's Elwood! I need a drink!'"); his "white--Catholic!--stepfather," another alkie, who takes it upon him to show his stepson how badly the world can treat someone of color ...

And taking it up a notch, Jesus, a little plastered at the wedding in Cana, complaining about having to turn the water into wine ... "I'm not an alcoholic; I'm a Christian!" Moss cries out in an epiphany--for somebody else.

"Half-white, half-black--what does it mean? My first car was a Cadillac with a gun-rack in back!"

David Moss has been acting in plays--the last I saw him in: 'War Music' at ACT, in which he was vigorous, mercurial, arresting--and gigging around the Bay and elsewhere in stand-up comedy for years now. In this, his most personal performance, he brings the same intensity to playing himself, acting out his own thoughts and obsessions as he's brought to great roles, both comic and dramatic on the stage--to Malvolio; to Mack the Knife, to an American muslim held as a terrorist in Central Works' 'Enemy Combatant.'

This isn't something easy. Exactly the point of Moss' play: the real person you are is hard to catch, never to be impersonated.

He's performed 'Cracked Crown' before, most recently in August at the Media Center, to sold-out crowds, which provoked his return over two nights last weekend. He'll be doing it again before long, somewhere around here--and it should be seen. It's an unusual solo show, more intense, thoughtful and funny that most. And it's funniest in places where most unexpected. And in the midst of hysterical humor, Moss turns on a dime to confront the most sobering of realities. Then laughs!

The East Bay Media Center has presented four live performances recently, according to co-founders Mel Vapour and Paul Kealoha Blake, and there're hopes of many more, plus screenings, discussions--and a remodeling, or at least, rearrangement of the house. A sometimes neglected community gem, surrounded by more recognized venues of different sorts, the EBMC is one with maximum integrity and intensive usefulness, on Addison near Milvia "at the frontier of the Berkeley Arts District," as Vapour puts it with a smile.

finis

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email or call for scheduling a Final Cut Workshop

Click on Above Graphic for info and pricing

DVD / CD IN-HOUSE DISC PRINTING + DUPLICATION

Fast turnaround - same day service on some projects

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High Definition Canon Professional Camcorders XH-A1

Need 2 for a matched Hi Def shoot? 2 cam packages available.

See Equipment Rentals

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PROJECTS CURRENTLY IN PRODUCTION

Winner of the Grand Festival Award - Trailer - Current Projects.

20th Berkeley Video & Film Festival 2011 - October 1, 2011

 

“The Last Mambo” explores the  world of Salsa/Latin Jazz in the San Francisco Bay area from diverse perspectives of dancers, DJs and musicians.  The film discusses how  the  dance aesthetic, musical presentation and cultural context have changed in the wake of  Afrocuban music’s growing  popularity and commercialization.  “The Last Mambo”, punctuated with  interviews, photographs and concert footage captures the spirit of Salsa/Latin Jazz, celebrates its rich cultural heritage and  debates the nature of its future.

Rita Hargrave – Director - Producer. Paul Kealoha Blake - Videographer / Editor
Rita is dancer, dancer, teacher and dance historian and geriatric psychiatrist.  She is the founder of www.salsaroots.com,  Bay Area based website devoted to the Afro-Cuban, Afro-Puerto Rican and African American roots of salsa dancing.
This is her first documentary.

www.thelastmambo.com

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SUMMER TEEN MEDIA CAMP 2012

The perfect Holiday gift for your Teen!

Take 7.5% off the summer session fee through January 30, 2012!

(click here for info):

JULY 9 - 28, 2012

FOLLOW THE SUMMER TEEN MEDIA CAMP 2011 ON FACEBOOK:

FOLLOW THE SUMMER TEEN MEDIA CAMP 2011 ON YOUTUBE:

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The Documentary Filmmakers Course

These weekend workshops are packed with everything a filmmaker needs to know in order to make a documentary film and get their message to the masses. Topics include creating a great story, how to get funding (with guest speakers from top Californian grant organizations), production and post-production workflows and how to sell and distribute your film.  Includes a workshop where you can pitch your project and get specialized advice. At the end of this session, we assure you that you will know exactly what to do next with your project.  

Our 2 DAY SEMINAR provides you with an interactive, relaxed environment that encourages you to reach your goals. Through practical tips, hands on experience with filmmaking gear and video examples, you will feel empowered and confident that you can go out the next day and get started on your project. And don't think that after the seminar is over that you are on your own. Instructor Andrew Zinnes is available for quick, one off email questions and hour long consult session long after the event is over to refresh your memory, give advice, and help guide you through your process. 

After all, what we want you to do is have an idea, grab a camera and make a doc. And if you aren't completely satisfied we will return your money. No strings attached. 

http://www.filmmakerjunction.com/events/documentary-workshop/ or at East Bay Media Center

Interview with Andrew Zinnes Screen Play Analyst

http://www.examiner.com/art-world-in-san-francisco/screenplay-analyst-andrew-zinner-comming-to-the-east-bay-media-center-review

by Jason-Louise Graham

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The Audience Favorite and Grand Festival Award in Ethnographic Documentary

Berkeley Video & Film Festival. The penultimate film on hoarding, by R.G.Shalhoub.

DVD's - $19.95 + shipping.

An EBMC Production, Directed by EBMC's Paul Kealoha Blake:

Click on Cover Art for Link to NCCD.

Now in a 5 Language DVD!

Produced for the Center on Culture, Immigration,

and Youth Violence Prevention

c/o National Council on Crime and Delinquency.

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ALLEN WILLIS . 1916 - 2011

HIS LAST INTERVIEW: ON BARACK OBAMA'S PRESIDENCY

LINK HERE

Own this important speech by the 20th centuries greatest American Statesman.

School, Church and University quantity Discounts available. DVD $50.00- Call ( 510 ) 843-3699

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INTERview with Edward Frenkel: as the Tragic and Possessed Lover

rby Jason-Louise Graham - Berkeley Art World Examiner

http://www.examiner.com/art-world-in-san-francisco/rites-of-love-and-math-shattuck-cinemas-december-1-review

The true language of love?

It’s math, says Berkeley professor Edward Frenkel, whose steamy new film touches a nerve:

http://www.berkeley.edu/news/media/releases/2010/11/30_rites.shtml

http://www.sfbg.com/sexsf/2010/12/01/rites-nude-math-professors-and-berkeley

http://twitchfilm.com/reviews/2010/11/review-rites-of-love-and-math.php

http://www.math.columbia.edu/~woit/wordpress/?p=3318#comments


Overheard at the screening:

"If someone dropped a bomb on tonights screening, the top mathematicians in the U.S.
would be wiped out!"

"I had no idea it was still possible to stir up controversy in the Bay area with art involving

transgressive sex, and would never have thought that using research mathematics was the way to do it."

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MAKE YOUR DONATION TODAY IN SUPPORT OF EBMC

DONATE SECURELY WITH PAYPAL - CLICK THE DONATE BUTTON YOU WILL BE DIRECTED TO OUR PAYPAL DONATION SITE.

MAKE A DONATION TODAY!

Berkeley's East Bay Media Center needs your support.

Stretch your Dollars Because Your Donations to

EAST BAY MEDIA CENTER,

a 501(c) 3, Non-Profit California Corporation,

are tax deductible.

SEND YOUR CHECK DONATIONS TO:

EAST BAY MEDIA CENTER

1939 ADDISON STREET BERKELEY, CA 94704

Phone 510.843.3699 or email: maketv@aol.com

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EAST BAY MEDIA CENTER WELCOMES

IT'S NEW SPONSOR - UPRINTING.COM:

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